Obit for a Pickpocket

 

to Mary Quant, 1930-2023, with fragments from her NYT obituary

 

These are the aperçus of the modes of production: 

  —It’s ridiculous, in this age of machines,

to continue to make clothes by hand. —Why can’t people see

what a machine is capable of doing itself,

instead of making it copy what the hand does?

 

Spoken like a pickpocket of the Gods! Amateurs

at accounting emerging from post-war privation.

Her Siamese cat in the habit of eating patterns

she purloined from Harrod’s. She delighted

 

in pranks. Turned her back on the corseted shapes. Horror

upon her, she made the window displays a performance.

Upside down atelier. Spray-painted lives, mannequins

dyed or bald or clad in hurried synthetics. Couldn’t stand

one dress hanging in the closet

listless as estates.

These were the bedsit quantum mechanics

of Dame Gamine. Prodigy.

 

Can we stop for a second and talk about

how beautiful Evelyn Waugh’s electric guitar was?    

 

She and Mr. Waugh became inseparable. 

Wore mother’s pajamas to class,

ran their fears and wash & wears

like a coffeehouse bar. She cried on her

13th birthday because she knew horror

was getting closer.

 

—The young should look like the young.

—The most extreme fashion should be very cheap.

 

Passers-by sneered: “God, look at this Modern Youth!”

 

 Shall we be Modern Youth tonight?

These are the aperçus in obituaries.  

 

—First, because only the young are daring enough to wear it.

And second, because it will not last.

Published by Bainbridge Island Press in their Poetics journal, December, 2023. They nominated the poem for the Pushcart Prize.

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